After an exciting Color War break, campers and staff are broken into teams of Blue and White and. Since 1993, Rolling River has continued the Color War tradition during the 7th week of camp. Also 2-CD Family Tree Maker TM set “Military Records: Revolutionary War. 1,2,3,4we want COLOR WAR This is a familiar chant at Rolling River Day Camp every August as campers anticipate this annual camp-wide event. Men in the Contingent, Red Bank Register, November 21, 1917, p. Massachusetts Soldiers and Sailors of the Revolutionary War (1896-1908), 11:642. Off for Wrightstown More Drafted Men Left Yesterday for Camp Dix Sixteen Colored. was no longer Greece (not until 1821-32 and the Greek War of Independence). Vols for most Massachusetts towns, Lincoln, Births, 59 referencing a Church of Christ record. Exploring the World of the Ancient Greeks Camp, John, Fisher, Elizabeth on. Occupation: farmer (also given laborer) Footnotes: On 4 July 1781, he enlisted from the town of Carlisle (MA) into the Continental Army for three years. Clark and was ‘reported a negro’ on a descriptive roll on 19 July 1780:Ī 25 October 1780 return dated Camp Totaway (NJ) lists his name. Oliver marched to Springfield (MA) under Capt. In 1780, a call went out for men to reinforce the Continental Army for six months. He was on furlough in March and April 1779. In February 1779 he was serving in Providence. This unit served at Saratoga, Valley Forge, and Monmouth, where his Captain was killed. Timothy Bigelow’s 15 th Massachusetts regiment. A 1957 photo of the freshman-sophomore tug-of-war to decide if freshmen had. Now residing in Littleton (MA), he joined the Continental Army on 20 March 1777 for a three-year term in the company of Capt. This 1951 snapshot shows the numbers carved on the Color Post from that era. Burgoyne preparing to advance on northern New York, the call once again went out for soldiers to meet this serious threat. On his return, he joined the local 6 th Middlesex County militia, in the company of Capt. This unit served at Ticonderoga during the time of the defeat of the American fleet on Lake Champlain under Gen. It is undoubtedly the same Peter Oliver who responded by enlisting in Capt. His name also appears on the 1 August 1775 roll, on a 3 October 1775 return dated Cambridge and on an 11 November 1775 ‘order for bounty coat or its equivalent in money dated Cambridge.’ IIĪs the attack on Canada crumbled, the call went out for reinforcements for the Northern Department. It is undoubtedly the same man who joined the eight month’s service on from Lincoln, in the company of Capt. Oliver was baptized on 6 June 1756 in Lincoln (MA), the son of Margaret (_) Oliver. Co-founder and Executive Director of The Front Porch Arts Collective, in residence at Central Square Theater. Maurice is an adjunct faculty member of Boston University, Tufts and Boston College. 2017 (The Convert), 2016 (The Snow Queen), 2015 (The Color Purple) IRNE Awards 2017 ( Edward II ) and 2008 ( Some Men, Angels in America, and The Wild Party ) Elliot Norton Award. ( Equivocation : NATE/ CECIL/ ENSEMBLE) Other ASP: Edward II (Edward II), Measure for Measure (Angelo), Romeo and Juliet (Mercutio / Apothecary), Troilus and Cressida (Troilus), Midsummer… (Puck), Coriolanus (Junius Brutus), King John (Lewis the Dauphin) Other local credits include The Huntington Theatre, New Repertory Theatre, SpeakEasy Stage, Commonwealth Shakespeare Company, Lyric Stage, Off The Grid Theatre Company, Wheelock Family Theatre, Cape Playhouse, Boston Theatre Works, Underground Railway Theatre and Nora Theatre Company. Hoopman is also an accomplished voiceover actor whose work can be heard both locally and nationally. NYC: Interior: Panic (NY Fringe Festival) and World’s Fastest Hamlet both with Hedgepig Ensemble Theatre Jester’s Dead (The Outfit) Foreign Wars (Random Access Theater). ![]() Other regional credits: Finish Line (Boston Theater Co./Boch Center) King Lear, A Midsummer Night’s Dream, Taming of the Shrew (Comm Shakes) Peter and the Starcatcher, City of Angels, Dear Elizabeth, The Importance of Being Earnest, and Groucho Marx in Animal Crackers (Lyric Stage) Mister Roberts and Indulgences (New Rep) A Civil War Christmas (Huntington Theatre Company) Dog Paddle (Bridge Rep) and Shear Madness (Charles Playhouse). He has recently been seen in Dancing at Lughnasa with Gloucester Stage, Old Money for Commonwealth Shakespeare, Ideation at New Rep Theatre, and as King Arthur in Camelot at Lyric Stage. Ed Hoopman* is excited to be working with ASP.
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